{"product_id":"sony-cinema-line-fx30-super-35-camera-ilme-fx30b","title":"Sony Cinema Line FX30 Super 35 Interchangeable Lens Camera Body ILME-FX30B","description":"\u003ccenter\u003e\u003cembed src=\"https:\/\/www.youtube.com\/embed\/4zX0D7eoh-c?version=3\u0026amp;rel=0\u0026amp;showinfo=0\" width=\"640\" height=\"360\"\u003e\u003c\/center\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eLeap into the world of filmmaking\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization makes advanced filmmaking more accessible than ever.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Highlights:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e20.1 MP1 Exmor R™ APS-C (Super 35mm format) image sensor with wide dynamic range\u003c\/p\u003e\n\u003cp\u003eS-CinetoneTM for a cinematic look straight out of the camera without grading\u003c\/p\u003e\n\u003cp\u003eFlexible ISO, Cine EI Quick and Cine EI Log shooting modes for optimized image quality\u003c\/p\u003e\n\u003cp\u003eUser LUTs can be applied to the LCD display and HDMI output and embedded in clips\u003c\/p\u003e\n\u003cp\u003eDual Base ISO and a 14+ stop range for wide latitude and low-noise images\u003c\/p\u003e\n\u003cp\u003eDependable, accurate autofocus with Real-time Eye and Real-time Tracking AF\u003c\/p\u003e\n\u003cp\u003eImage stabilization Active Mode supports handheld movie shooting\u003c\/p\u003e\n\u003cp\u003eExtensive recording formats for high image quality and advanced post-production\u003c\/p\u003e\n\u003cp\u003eCreative slow-motion options with up to 4K (QFHD) 120p with autofocus\u003c\/p\u003e\n\u003cp\u003e4K 16-bit RAW output from HDMI terminal for compatible external recorders\u003c\/p\u003e\n\u003cp\u003eSophisticated focus functions to handle any situation\u003c\/p\u003e\n\u003cp\u003eUninterrupted 4K 60p recording with cooling fan ventilation\u003c\/p\u003e\n\u003cp\u003eMetadata to facilitate editing with Catalyst Browse and Prepare software\u003c\/p\u003e\n\u003cp\u003eDual card slots, both compatible with CFexpress Type A and SDXC\/SDHC\u003c\/p\u003e\n\u003cp\u003eCompact, lightweight body designed for mobility\u003c\/p\u003e\n\u003cp\u003eDust and moisture resistant design to handle challenging environments\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Features:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eSupport for filmmaking\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe FX30 captures stunning images with 6K oversampling and a true cinematic look. Its compact size lets you take it anywhere, and sophisticated AF and stabilization features let you concentrate on composition, not the complexity of crews and rigging.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eDesigned for visual storytelling\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe FX30's S-Cinetone picture profile gives you a beautiful cinematic look straight out of the camera. Features like Dual Base ISO and Cine EI are designed to provide gorgeous images for cinematic shooting and workflow.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eDrawing on the Cinema Line heritage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eFilm industry experience allied with state-of-the-art imaging technology. The outstanding Cinema Line series of cinema cameras is built on decades of experience in the film industry and supported by Sony's sophisticated new technologies on the cutting edge of digital imaging.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eBeautiful imagery\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eAdvanced technology for outstanding resolution. The FX30's back-illuminated Exmor™ R APS-C CMOS sensor captures memorable Super 35mm imagery with outstanding resolution and shallow depth of field. 6K oversampling compresses a vast amount of information into 4K recording and output, and the BIONZ XR™ processing engine enables natural gradations, realistic color reproduction, low noise, and other image quality improvements.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eS-Cinetone gives you a cinematic look without grading\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe S-Cinetone picture profile provides cinematic-looking color, skin tones and other visual aspects straight out of the camera, without the need for any post-production color grading.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eInfinite possibilities of expression with S-Log3\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eFor production color matching, and to access the full capabilities of the image sensor, the FX30 can shoot with an S-Log3 gamma curve. This gives you access to the FX30's expansive color gamut and 14+ stops latitude, for true cinematic image quality during post-production color grading.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eUser LUTs provide an accurate image preview\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eCustomizable LUTs, both preset and user-supplied, can be applied to the FX30's LCD monitor display, recorded footage, and HDMI output to give you a better and more accurate idea of what your final image will look like.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003e10-bit 4:2:2 recording for greater editing latitude\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe FX30 can record 10-bit 4:2:2 video internally when using Long GOP or All-Intra compression, providing more color information so you can produce fuller, more natural gradations in post-production.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eCine EI, Cine EI Quick, and Flexible ISO modes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eFlexible exposure mode handling. Cine EI offers wide latitude and the highest possible image quality, while Cine EI Quick simplifies setup by automatically selecting the camera's base ISO. Flexible ISO provides the greatest flexibility for exposure settings.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eDual Base ISO (ISO800 \/ ISO2500)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eWith this feature you can manually set your base ISO to 2500 instead of 800 in low-light situations. Noise levels at both settings are about the same, so this gives you cleaner footage in low light.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eSlow-motion images at up to 120 frames per second\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eWith 4K recording at up to 120 frames per second with autofocus, you can create extraordinarily smooth 5x (max.) slow-motion imagery to expand your storytelling options.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eReliable AF maintains a steady focus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eSophisticated tracking features let you concentrate on your shoot. The FX30 provides stable AF and flexible focusing for a wide range of shooting situations. Wide-area AF provides tenacious subject tracking across almost the entire frame, with Real-time Tracking based on Sony's unique, AI-based subject recognition. Real-time Eye AF ensures precise focus on the face and eyes, tailored to humans, birds and animals.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eIn-body image stabilization for hand-held shooting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eActive Mode is a 5-axis image stabilization mode that uses a precision gyroscope sensor and optical compensation, enabling hand-held shooting at 4K resolution without a gimbal.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eCompensation for focus breathing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eIn-camera Focus Breathing Compensation, when used with compatible lenses, provides more stable imagery by minimizing the field-of-view shift that can occur when racking focus. Additional breathing compensation is also available in post-production software, supported by camera metadata.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eReady to go wherever you shoot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eCompact and light in weight, the FX30 can be operated in combination with gimbals and drones, or with a variety of attached equipment. It's designed to withstand long shoots, with sturdy construction suited to harsh conditions.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eCompact, lightweight body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eDesigned for mobility and comfortable operation. Weighing in at 1 lb 6.8 oz (646 g) with battery and memory card and 2 lb 1.5 oz (951 g) with the XLR handle unit, the FX30 features a distinctive flat-top design that's suitable for either handheld shooting or gimbal mounting. The camera grip has been designed to provide optimum flexibility, stability, and comfort for extended handheld shooting sessions.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eThree thread holes in the XLR handle unit for accessories\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eExternal monitors, recorders, batteries, video lights, extension grips, wireless microphone receivers, or other add-ons can be stably and securely attached to the FX30's XLR handle unit.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eReliable operation for long shoots at 4K\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eWith its highly efficient cooling system and stable power supply (from a high-capacity Z100 battery or via USB PD), the FX30 is designed to keep working reliably over extended shoots.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eDurable magnesium alloy chassis\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe main body and covers of the FX30 are constructed from a lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eNew main menu\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eQuick access to frequently used features. While shooting, you can access frame rate10, shutter speed, and other essential shooting parameters via a list-style main menu. Display of the main menu can be assigned to a custom button so that parameters can be quickly checked and edited as needed prior to shooting. Separate main menus optimized for movies and stills are provided.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eTwo CFexpress Type A and SD card compatible media slots\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eCFexpress Type A is the next standard for compact storage, with fast write\/read speeds suitable for 4K movie recording at high bit rates. Dual slots enable either relay or simultaneous recording.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eFlexible high-resolution touch-panel LCD monitor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eA side-opening vari-angle rear monitor allows broad positioning and framing freedom. It's bright enough for easy outdoor daytime viewing, and it incorporates a swipe-to-access function menu.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eBroad connectivity in a compact body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eAn HDMI Type-A connector can be used for external recorders and display devices. Other connectors include USB Type-C®, Multi\/Micro-USB, mic, headphone, and a Multi Interface Shoe with built-in digital audio interface.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003e16-bit RAW output via HDMI\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eFor demanding workflows, 16-bit RAW output is available over HDMI connection to compatible external recorders. RAW video output is 4672 x 2628 [16:9] resolution, exceeding DCI-4K resolution.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eExpandable to meet your needs\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eWhether it's finding the perfect lens for your shoot, choosing the best external audio source or accommodating post-production workflow requirements, the FX30 has you covered.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eOne Mount: connect seamlessly with E-mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe One Mount concept is based on Sony's E-mount platform of interchangeable lenses. The FX30 is compatible with all E-mount lenses, so you can choose the right lens for any situation.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eChoose your audio input source\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe FX30's XLR handle unit includes two XLR audio inputs, enabling quick and easy connection to a variety of external XLR microphones to capture a high-quality audio track. Together with the XLR inputs, an additional 3.s mm 2 ch mini jack supports 4 ch input. The FX30's Multi Interface Shoe provides compatibility with a wide range of Sony microphones.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eEnhanced image stabilization and easier workflows with Catalyst\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eThe FX30 records a wealth of metadata for use wtith Sony's Catalyst Browse Prepare application, including camera shake, camera rotation, breathing compensation, embedded LUTs and shot marks.\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003ePursuing a sustainable product ecosystem\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003eMeasures for the environment include using recycled materials in production, managing environmental impact throughout the supply chain, using renewable energy in production, and using recyclable non-plastic packaging materials.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eProduct Specifications:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eBattery Operating Time\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eActual recording, CIPA standard - \u003c\/strong\u003eApprox. 115 min\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eContinuous recording, CIPA standard\u003c\/strong\u003e - Approx. 175 min\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eStill image, CIPA standard\u003c\/strong\u003e - Approx. 570 shots\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eSize \u0026amp; Weight (Approx.)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eWeight (main unit only)\u003c\/strong\u003e - 646 g (1 lb 6.8 oz) (with battery and memory card included), 562 g (1 lb 3.8 oz) (body only)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e - 129.7 mm x 77.8 mm x 84.5 mm (5 1\/8 x 3 1\/8 x 3 3\/8 inches) (body without protrusions)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eOperation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eOperating Temperature\u003c\/strong\u003e - -20 to +55 degrees C\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eStorage Temperature\u003c\/strong\u003e - -20 to +55 degrees C\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eRecording Frame Rate (Video)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S-I 4K -\u003c\/strong\u003e 3840x2160\/59.94p, 50p, 29.97p, 25p, 23.98p\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S-I HD\u003c\/strong\u003e - 1920x1080\/59.94p, 50p, 29.97p, 25p, 23.98p\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S 4K\u003c\/strong\u003e - 3840x2160\/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S HD\u003c\/strong\u003e - 1920x1080\/119.88p,100p,59.94p, 50p, 29.97p, 25p, 23.98p\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC HS 4K\u003c\/strong\u003e - 3840x2160\/119.88p,100p,59.94p, 50p, 23.98p\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eRecording\/Playback Time (Video)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S-I 4K\u003c\/strong\u003e - XAVC S-I 4K 59.94p: When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, XAVC S-I 4K 50p: When using CEA-G160T (160 GB) Approx. 35 minutes, When using CEA-G80T (80 GB) Approx. 15 minutes\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S-I HD\u003c\/strong\u003e - XAVC S-I HD 59.94p: When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes, XAVC S-I HD 50p: When using CEA-G160T (160 GB) Approx. 90 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S 4\u003c\/strong\u003e - XAVC S 4K 59.94p\/50p 200M: When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, XAVC S 4K 59.94p\/50p 150M: When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S HD\u003c\/strong\u003e - XAVC S HD 59.94p\/50p 50M: When using CEA-G160T (160 GB) Approx. 270 minutes, When using CEA-G80T (80 GB) Approx. 130 minutes, XAVC S HD 59.94p\/50p 25M: When using CEA-G160T (160 GB) Approx. 430 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC HS 4K\u003c\/strong\u003e - XAVC HS 4K 59.94p\/50p 200M: When using CEA-G160T (160 GB) Approx. 80 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, XAVC HS 4K 59.94p\/50p 150M: When using CEA-G160T (160 GB) Approx. 100 minutes, When using CEA-G80T (80 GB) Approx. 50 minutes, XAVC HS 4K 59.94p\/50p 100M: When using CEA-G160T (160 GB) Approx. 150 minutes, When using CEA-G80T (80 GB) Approx. 75 minutes, XAVC HS 4K 59.94p\/50p 75M: When using CEA-G160T (160 GB) Approx. 190 minutes, When using CEA-G80T (80 GB) Approx. 95 minutes, XAVC HS 4K 59.94p\/50p 45M: When using CEA-G160T (160 GB) Approx. 290 minutes, When using CEA-G80T (80 GB) Approx. 140 minutes\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eRecording Format (Proxy Audio)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC Proxy\u003c\/strong\u003e - AAC-LC, 128 kbps, 2 ch\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eRecording Format (Proxy Video)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC HS HD - \u003c\/strong\u003eMPEG-H HEVC\/H.265 1920x1080 4:2:0 10 bit 16 Mbps 1920x1080 4:2:0 10 bit 9 Mbps\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S HD -\u003c\/strong\u003e MPEG-4 AVC\/H.264 1280x720 4:2:0 8 bit 6 Mbps\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eRecording (Still)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eRecording Format - \u003c\/strong\u003eJPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eImage Size (pixels) [3:2]\u003c\/strong\u003e - L: 6192 x 4128 (26M), M: 4384 x 2920 (13M), S: 3104 x 2064 (6.4M)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eImage size (pixels) [4:3]\u003c\/strong\u003e - L: 5504 x 4128 (23M), M: 3888 x 2920 (11M), S: 2752 x 2064 (5.7M)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eImage Size (pixels) [16:9]\u003c\/strong\u003e - L: 6192 x 3480 (22M), M: 4384 x 2464 (11M), S: 3104 x 1744 (5.4M)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eImage size (pixels) [1:1]\u003c\/strong\u003e - L: 4128 x 4128 (17M), M: 2912 x 2912 (8.5M), S: 2064 x 2064 (4.3M)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eCamera Section\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eShutter Speed\u003c\/strong\u003e - [Movie] 1\/8000 to 1\/4 (1\/3 steps), up to 1\/60 in AUTO mode (up to 1\/30 in Auto slow shutter mode), [Still image] 1\/8000 to 30 sec\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eImaging Device (Type)\u003c\/strong\u003e - APS-C type (23.3 x 15.5 mm), Exmor R CMOS sensor\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eNumber of Pixels (Effective)\u003c\/strong\u003e - Movie: Approx. 20.1 megapixels, Still image: Approx. 26.0 megapixels\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eNumber of Pixels (total)\u003c\/strong\u003e - Approx. 27.0 megapixels\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eISO Sensitivity\u003c\/strong\u003e - [Movie] ISO 100-32000 equivalent , AUTO (ISO 100-6400, selectable lower limit and upper limit), [Still image] ISO 100-32000 (Expandable to ISO 50- 102400), AUTO (ISO 100-6400, selectable lower limit and upper limit)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eSlow and Quick Motion Function\u003c\/strong\u003e - [XAVC S-I HD \/ XAVC S HD]NTSC mode: 1fps,2fps,4fps,8fps,15fps,30fps,60fps,120fps,240fps, PAL mode: 1fps,2fps,3fps,6fps,12fps,25fps,50fps,100fps,200fps\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eWhite Balance\u003c\/strong\u003e - Auto \/ Daylight \/ Shade \/ Cloudy \/ Incandescent \/ Fluorescent \/ Underwater \/ Color Temperature (2500 to 9900K) \u0026amp; color filter \/ Custom\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eGamma Curve\u003c\/strong\u003e - Off \/ PP1-PP6 \/ PP10-PP11, Parameters: Black level, Gamma (Movie, Still, S-Cinetone, Cine1-4, ITU709, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eLatitude\u003c\/strong\u003e - 14+ stop (S-Log3)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eFocus system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e - Fast Hybrid AF (phase-detection AF \/ contrast-detection AF)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eFocus Point\u003c\/strong\u003e - Movie: 495 points (phase-detection AF), Still image: 759 points (phase-detection AF)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eSensativity Range\u003c\/strong\u003e - EV-3 to EV20 (ISO100 equivalent with F2.0 lens attached)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eFocus Mode\u003c\/strong\u003e - Movie: AF-C (Continuous AF), Manual Focus, Still image: AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eFocus Area\u003c\/strong\u003e - Movie: Wide \/ Zone \/ Center Fix \/ Spot \/ Expand Spot, Still image: Wide \/ Zone \/ Center Fix \/ Spot \/ Expand Spot \/ Tracking\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eOther Focus Features\u003c\/strong\u003e - Focus Magnifier (APS-C: 6.1x \/ 12.1x)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eExposure control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eMetering Sensativity - \u003c\/strong\u003eEV-3 to EV20 (at ISO100 equivalent with F2.0 lens attached)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eExposure Modes\u003c\/strong\u003e - Movie: Programmed AE (P) \/ Aperture priority (A) \/ Shutter priority (S) \/ Manual Exposure (M) \/ Flexible Exp. Mode, Still images: Intelligent Auto (Auto) \/ Program Auto (P) \/ Aperture priority (A) \/ Shutter priority (S) \/ Manual Exposure (M)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eMonitoring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eLCD\u003c\/strong\u003e - Opening Angle:Approx. 176 °, Rotation Angle:Approx. 270 °\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eBuilt-in Microphone\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eBuilt-in Microphone\u003c\/strong\u003e - Built-in, stereo\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eFile System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eFile System\u003c\/strong\u003e - FAT12, 16, 32, exFAT\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eZoom Function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eClear Image Zoom\u003c\/strong\u003e - Movie: Approx. 1.5x (4K), Approx. 2x (HD), Still image: L: Approx. 2x, M: Approx. 2.8x, S: Approx. 4x\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eDigital Zoom\u003c\/strong\u003e - Movie: Approx. 4x Still Image: L: Approx. 4x, M: Aapprox. 5.7x, S: Approx. 8x\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eSmart Zoom\u003c\/strong\u003e - Still Image: M: Approx. 1.4x, S: Approx. 2x\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eStill image function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eShutter \u003c\/strong\u003e- Electronic shutter\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eDrive Modes\u003c\/strong\u003e - Single Shooting, Self-timer, Bracket: Single, White Balance bracket, DRO bracket\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eNoise Reduction\u003c\/strong\u003e - High ISO NR: Normal \/ Low \/ Off\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eOther Still Image Function\u003c\/strong\u003e - Anti-flicker Set\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eCustom function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eCustom Function - \u003c\/strong\u003eCustom key settings, My Menu, My Dial Settings, Reg. Custom Shoot Set\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eLens Compensation\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eLens Compensation - \u003c\/strong\u003ePeripheral Shading, Chromatic Aberration, Distortion\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eWi-Fi\/NFC\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eSupported Format\u003c\/strong\u003e - IEEE 802.11a\/b\/g\/n\/ac\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eFrequency Band\u003c\/strong\u003e - 2.4 GHz band\/5 GHz band\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eSecurity\u003c\/strong\u003e - WEP\/WPA-PSK\/WPA2-PSK\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eFTP Transfer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eFTP Transfer\u003c\/strong\u003e - Wired LAN (USB-LAN), USB Tethering, Wi-Fi\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eRAW Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eHDMI -\u003c\/strong\u003e 4672 x 2628 (59.94p, 50p, 29.97p, 25p, 23.98p), 16bit\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eOther Video Function\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eVideo Function - \u003c\/strong\u003eAudio Level Display, Audio Rec Level, TC\/UB, Creative Look, Gamma Display Assist, PAL\/NTSC Selector\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eMedia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eType\u003c\/strong\u003e - CFexpress Type A \/ SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eImage Stabilization\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eType - \u003c\/strong\u003eImage Sensor-Shift mechanism with 5-axis compensation (Compensation depends on lens specifications)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eMode\u003c\/strong\u003e - Movie: Active \/ Standard \/ Off, Still image: On \/ Off\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eCompensation Effect (Still Images)\u003c\/strong\u003e - 5.5 stops (based on CIPA standard. Pitch\/yaw shake only. With Planar T* FE 50mm F1.4 ZA lens mounted.)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eAccessibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eScreen Reader\u003c\/strong\u003e - Yes (Language: English, Speed: 7 steps, Volume: 16 steps)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eZoom\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eZoom Function\u003c\/strong\u003e - Zoom ring rotate\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eRecording Format (Video)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S-I 4K\u003c\/strong\u003e - XAVC S-I 4K 59.94p: 600 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 50p: 500 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 29.97p: 300 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 25p: 250 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I 4K 23.98p: 240 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S-I HD\u003c\/strong\u003e - XAVC S-I HD 59.94p: 222 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I HD 50p: 185 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I HD 29.97p: 111 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I HD 25p: 93 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S-I HD 23.98p: 89 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S 4K -\u003c\/strong\u003e XAVC S 4K 59.94p\/50p: 200 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S 4K 59.94p\/50p: 150 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p: 140 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S 4K 23.98p: 100 Mbps 4:2:2 10 bit, MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p\/23.98p: 100 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S 4K 29.97p\/25p\/23.98p: 60 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S 4K 119.88p\/100p: 280 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S 4K 119.88p\/100p: 200 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC S HD\u003c\/strong\u003e - XAVC S HD 59.94p\/50p\/29.97p\/25p\/23.98p: 50 Mbps 4:2:2 10 bit MPEG-4 AVC \/ H.264, XAVC S HD 59.94p\/50p\/29.97p\/25p\/23.98p: 50 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S HD 59.94p\/50p: 25 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC HD 29.97p\/25p: 16 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S HD 119.88p\/100p: 100 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264, XAVC S HD 119.88p\/100p: 60 Mbps 4:2:0 8 bit MPEG-4 AVC \/ H.264\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eXAVC HS 4K\u003c\/strong\u003e - XAVC HS 4K 59.94p\/50p: 200 Mbps 4:2:2 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p: 150 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p\/23.98p: 100 Mbps 4:2:2 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p: 75 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 59.94p\/50p: 45 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p: 100 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p: 50Mbps 4:2:2 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p: 50 Mbps 4:2:0 10bit MPEG-H HEVC \/ H.265, XAVC HS 4K 23.98p: 30 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 119.88p\/100p: 280 Mbps 4:2:2 10 bit MPEG-H HEVC \/ H.265, XAVC HS 4K 119.88p\/100p: 200 Mbps 4:2:0 10 bit MPEG-H HEVC \/ H.265\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eRecording Format (Audio)\u003c\/strong\u003e - LPCM 2 ch(48 kHz 16 bit), LPCM 2 ch(48 kHz 24 bit), LPCM 4 ch(48 kHz 24 bit)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eInterface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eHeadphone Output\u003c\/strong\u003e - 3.5 mm Stereo minijack\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eSpeaker Output\u003c\/strong\u003e - Built-in, monaural\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eHDMI Output -\u003c\/strong\u003e YCbCr 4:2:2 10 bit \/ RGB 8 bit\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eMulti Interface Shoe\u003c\/strong\u003e - With Digital Audio Interface\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eAudio Input\u003c\/strong\u003e - 3.5 mm Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR\/TRS-type 3-pin(female) (x2), line\/mic\/mic +48 V selectable, Mic Reference -40 to -60 dBu \/ [INPUT3] 3.5 mm Stereo minijack\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eTC Input\/TC Output -\u003c\/strong\u003e Multi\/Micro USB, TC IN *6  With Digital Audio Interface\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eUSB Terminal\u003c\/strong\u003e - USB Type-C® (x1, SuperSpeed USB 10 Gbps (USB 3.2) compatible), Multi\/Micro USB (x1)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003ePower Consumption\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eMovie -\u003c\/strong\u003e Approx. 5.6 W (with E PZ 18-105mm F4 OSS lens attached)\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eStill Image\u003c\/strong\u003e - Approx. 3.5 W (with E PZ 18-105mm F4 OSS lens attached)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003ePlayback\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003ePlayback Functions\u003c\/strong\u003e - Index view, Folder selection (Date \/ Still \/ Movie), Photo capture, 4ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)\u003c\/p\u003e\n\u003cp style=\"padding-left: 30px;\"\u003e\u003cstrong\u003eWhat's In The Box\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"padding-left: 60px;\"\u003e\u003cstrong\u003eSupplied Accessories - \u003c\/strong\u003eCamera body | ILME-FX30 Rechargeable Battery | NP-FZ100 USB battery charger | AC-UUD12 Top Handle with XLR Input Module Body cap MI Accessory shoe cap Handle Shoe Cap USB-A to USB-C cable (USB 3.2)\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41747358711991,"sku":"SNILMEFX30B","price":2098.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/3555\/5511\/files\/893045_1.jpg?v=1753067301","url":"https:\/\/logiltech.net\/products\/sony-cinema-line-fx30-super-35-camera-ilme-fx30b","provider":"Beach Camera","version":"1.0","type":"link"}