{"product_id":"sony-alpha-fx3-cinema-line-4k-full-frame-camera-ilme-fx3","title":"Sony Alpha FX3 Cinema Line 4K Full Frame Camera Body with XLR Handle Unit - ILME-FX3","description":"\u003ccenter\u003e\u003cembed src=\"https:\/\/www.youtube.com\/v\/2YXh88hwqnM?version=3\u0026amp;rel=0\u0026amp;showinfo=0\" type=\"application\/x-shockwave-flash\" width=\"640\" height=\"360\"\u003e\u003c\/center\u003e\n\u003ch2\u003eILME-FX3 - New Cinematic Freedom\u003c\/h2\u003e\n\u003cp\u003eSony's FX3 Cinema Line camera brings the visions of passionate content creators to life. Cinematic expression is matched with reliable performance and streamlined operation to serve the needs of today's creative community. Compact and lightweight, it's easy to carry and handle.\u003c\/p\u003e\n\u003ch3\u003eIn service of cinematic expression\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFull-frame image capture even in dim light\u003cbr\u003e\u003c\/strong\u003eThe FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWide dynamic range, wider creative expression\u003cbr\u003e\u003c\/strong\u003eThe FX3 offers an exceptional 15+ stops\u003csup\u003e2\u003c\/sup\u003e of dynamic range to handle settings ranging from well-lit interiors and outdoors in mid-day to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in color grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStunning bokeh and full-frame creativity\u003cbr\u003e\u003c\/strong\u003eCapture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh, and cinematic freedom made possible with a full-frame sensor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCinematic color science of S-Cinetone\u003cbr\u003e\u003c\/strong\u003eS-Cinetone color, developed for Sony's acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich color and natural skin tones that match other Cinema Line cameras without grading.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4K3 120fps with every frame in focus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEven at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S\u0026amp;Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e10-bit S-Log3 and HDR recording for smooth gradations\u003cbr\u003e\u003c\/strong\u003eS-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality color reproduction over a wide dynamic range, and they make it eaasy to match up footage with shots from other Cinema Line camera during post-production. In addition, an HLG (Hybrig Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e16-bit RAW HDMI output\u003cbr\u003e\u003c\/strong\u003eFor demanding post-production workflows, 16-bit RAW output\u003csup\u003e4\u003c\/sup\u003e is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K and proxy files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution\u003csup\u003e5\u003c\/sup\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnjoy rich detail and realistic color\u003cbr\u003e\u003c\/strong\u003eThe FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 color sampling with All Intra on top of Long-GOP compression. This makes it possible to push your color grades further while still retaining natural gradation, for true editing freedom. [1]All-Intra (All-I) [2] Long-GOP [3] Group of Pictures\u003c\/p\u003e\n\u003ch3\u003eDesigned for comfortable solo shooting\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDependable, highly accurate autofocus\u003cbr\u003e\u003c\/strong\u003eThe FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSophisticated tracking AF for steady focus\u003cbr\u003e\u003c\/strong\u003eSophisticated tracking features keep your subject in steady focus, so you can concentrate on composition. Real-time Eye AF ensures precise focus on the face and eyes, while Real-time Tracking is powered by Sony's unique AI-based subject recognition algorithms.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmooth transitions and touch focus control\u003cbr\u003e\u003c\/strong\u003eThe FX3 includes AF Transition Speed in seven settings, to easily create rack focus, and five AF Subject Shift Sensitivity settings, which allows the user to customize how easily AF will switch or stay with the locked-on subject. You can also select the subject you want to focus on simply by touching the LCD monitor.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-performance E-mount lenses for movies\u003cbr\u003e\u003c\/strong\u003eExperience smooth, responsive autofocus with Sony's E-mount lenses, with premium optical performance and operability for demanding cinematography applications. The unique linear-drive actuator technology in Sony's E-mount lenses provides smoother, more precise and tenacious AF performance to support your creative endeavors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh-mobility performance wherever you go\u003cbr\u003e\u003c\/strong\u003eWith a compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes allow fast setup, fluid shooting, and quick pack-down. The main body and covers are constructed from lightweight magnesium alloy to enhance durability and performance even in challenging environments.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttachable XLR handle\u003cbr\u003e\u003c\/strong\u003eA handle equipped with an XLR adaptor with two full size XLR terminals can be attached to the Multi Interface (MI) Shoe on the camera for more comfortable and stable camerawork in difficult shooting situations, such as low-position shots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn-camera image stabilization\u003cbr\u003e\u003c\/strong\u003eActive Mode789 is an optical in-body 5-axis image stabilization system that provides increased stabilization for movie shooting. To preserve image quality, the gyroscope sensor accurately measures camera shake and compensates optically. This makes stable video possible even when shooting hand-held without gimbal use, while walking, and at 4K resolution.\u003c\/p\u003e\n\u003cp\u003e[1, 2] angular shake (pitch and yaw) [3, 4] shift shake (X and Y axes), [5] rotational shake (roll on Z axis)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImage stabilization and easier editing with Catalyst\u003cbr\u003e\u003c\/strong\u003eCamera-shake metadata is recorded by the built-in gyro, allowing handheld footage to be smoothed out and stabilized in post-production. Using Sony's Catalyst Browse \/ Catalyst Prepare desktop application10 you can easily balance automated shake-compensation and image-trimming levels. Catalyst can also make effective use of recorded camera-rotation data.\u003c\/p\u003e\n\u003ch3\u003eExpandability and operability for content creators\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFront and rear tally lamps\u003cbr\u003e\u003c\/strong\u003eTally lights on the front and rear of the FX3 indicate whether the camera is recording at any given moment. They are clearly visible to both the camera operator and the person performing in front of the camera.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVari-angle LCD touch-panel monitor\u003cbr\u003e\u003c\/strong\u003eThe custom ventilation system and chassis design help to prevent the thermal shut down of shooting8 at high frame rates and 4K (QFHD) resolutions. The number of heat sinks, the shape of air intakes and exhaust vents as well as the location of the low-noise fan9, and airflow paths have all been calculated with precision to ensure that optimum ventilation is achieved.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEssential controls for efficient solo shooting\u003cbr\u003e\u003c\/strong\u003eIn addition to six customizable buttons, frequently used controls are within easy one-handed reach, leaving your other hand free for lens operation or balance. And usability is enhanced by multiple screw holes on the body and handle, allowing accessories to be attached directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUninterrupted 4K\/60p12 recording\u003cbr\u003e\u003c\/strong\u003eFor uninterrupted 4K\/60p12 recording, the FX3 is designed with a innovative heat dissipation system. Heatsink placement, airflow structure, and a silent cooling fan work to optimize cooling even during long shoots.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXLR adaptor and digital input for quality audio\u003cbr\u003e\u003c\/strong\u003eIn addition to the camera's convenient built-in microphone, a variety of professional microphones can be connected externally via the full-size XLR connectors on the handle through a digital audio interface via Multi Interface (MI) Shoe. Three recording formats can be selected, including 24-bit 4-channel. Digital audio recording is also possible by attaching a digital microphone such as the ECM-B1M even when the handle is not used.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDual high-speed media slots\u003cbr\u003e\u003c\/strong\u003eDesigned for next-generation filmmaking requirements. CFexpress Type-A cards support high bit-rate recording. The camera's slots are ready for CFexpress Type-A as well as conventional SDXC UHS-I and UHS-II cards, and having two identical media slots makes relay or backup shooting possible.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote camera control and network transfer\u003cbr\u003e\u003c\/strong\u003eA network connection, via Wi-Fi or wired via a USB Type-C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop application, or from a mobile device with Imaging Edge Mobile. And captured still and movie files can be transferred using high-speed FTP.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRemote preview, shooting, and streaming\u003cbr\u003e\u003c\/strong\u003eEither wired or wireless remote shooting is available from a PC, or from a mobile device with Imaging Edge Mobile installed, for more efficient workflows and shooting in challenging environments. Imaging Edge Webcam enables high-image-quality online video communication.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned with the environment in mind\u003cbr\u003e\u003c\/strong\u003eSony is committed not only to offering products, services and content that deliver exciting experiences but also to working towards our goal of a zero environmental footprint throughout our business activities.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProduct Specifications:\u003c\/h2\u003e\n\u003ch3\u003eBuilt-in Microphone\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eBuilt-in Microphone\u003cbr\u003e\u003c\/strong\u003eBuilt-in, stereo\u003c\/p\u003e\n\u003ch3\u003eCamera Section\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePixels\u003cbr\u003e\u003c\/strong\u003eApprox. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for Still images, Approx. 12.9 megapixels (total)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensitivity\u003cbr\u003e\u003c\/strong\u003e[Movie] ISO 80-102400 equivalent (ISO numbers up to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit), [Still image] ISO 80-102400 (ISO numbers up from ISO 40 to ISO 409600 can be set as expanded ISO range.), AUTO (ISO 80-12800, selectable lower limit and upper limit)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensor Type\u003cbr\u003e\u003c\/strong\u003e35 mm full frame (35.6 x 23.8 mm), Exmor R CMOS sensor\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eShutter Speed\u003cbr\u003e\u003c\/strong\u003eMovie: 1\/8000 to 1\/4 (1\/3 steps), up to 1\/60 in AUTO mode (up to 1\/30 in Auto slow shutter mode) Still image: 1\/8000 to 30 s, Bulb\u003c\/p\u003e\n\u003ch3\u003eCustom function\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCustom function\u003cbr\u003e\u003c\/strong\u003eCustom key settings, My Menu, My Dial Settings\u003c\/p\u003e\n\u003ch3\u003eExposure control\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eExposure Modes\u003cbr\u003e\u003c\/strong\u003e[Movie] Programmed AE (P) \/ Aperture priority (A) \/ Shutter-speed priority (S) \/ Manual (M) \/ Flexible Exp. Mode, [Still images] AUTO (iAuto), P, A, S, M 　\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMetering Sensitivity\u003c\/strong\u003e\u003cbr\u003eEV -3 to EV 20 (at ISO100 equivalent with F2.0 lens attached)\u003c\/p\u003e\n\u003ch3\u003eFTP Transfer\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFTP Transfer\u003cbr\u003e\u003c\/strong\u003eFTP Transfer Func. (Wired LAN [USB-LAN], USB Tethering, Wi-Fi)\u003c\/p\u003e\n\u003ch3\u003eFile System\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFile System\u003cbr\u003e\u003c\/strong\u003eFAT12, 16, 32, exFAT\u003c\/p\u003e\n\u003ch3\u003eFocus system\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFocus Area\u003cbr\u003e\u003c\/strong\u003e[Movie] Wide \/ Zone \/ Center \/ Flexible Spot \/ Expanded Flexible Spot, [Still image] Wide \/ Zone \/ Center \/ Flexible Spot \/ Expanded Flexible Spot \/ Tracking\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus Mode\u003cbr\u003e\u003c\/strong\u003e[Movie] AF-C, MF, [Still image] AF-A (Automatic AF), AF-S (Single-shot AF), AF-C (Continuous AF), DMF (Direct Manual Focus), Manual Focus\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFocus Point\u003cbr\u003e\u003c\/strong\u003e[Movie] 627 points, [Still image] 35 mm full frame: 759 points (phase-detection AF)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOther Focus Features:\u003cbr\u003e\u003c\/strong\u003eEye AF ([Movie] Human (Right\/Left Eye Select), ([Still image] Human (Right\/Left Eye Select) \/ Animal), Face detection (Face Priority in AF, Face Priority in Multi Metering, Regist. Faces Priority), [Movie] AF Subj. Shift Sensitivity, [Movie] AF Transition Speed, [Still image] Focus Magnifier (35 mm full frame: 2.1x \/ 4.1x, APS-C: 1.5x \/ 3.0x)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensitivity Range\u003c\/strong\u003e\u003cbr\u003eEV-6 to EV20 (ISO 100 equivalent with F2.0 lens attached)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFast Hybrid AF (phase-detection AF \/ contrast-detection AF)\u003c\/p\u003e\n\u003ch3\u003eGamma\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eGamma Curve\u003c\/strong\u003e\u003cbr\u003eOff \/ PP1-PP10, Parameters: Black level, Gamma (Movie, Still, Cine1-4, ITU709, ITU709 [800%], S-Log2, S-Log3, HLG, HLG1-3), Black Gamma, Knee, Color Mode, Saturation, Color Phase, Color Depth, Detail, Copy, Reset\u003c\/p\u003e\n\u003ch3\u003eLatitude\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLatitude\u003c\/strong\u003e\u003cbr\u003e15+ stop (S-Log3)\u003c\/p\u003e\n\u003ch3\u003eLens Compensation\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLens Compensation\u003c\/strong\u003e\u003cbr\u003ePeripheral Shading, Chromatic Aberration, Distortion\u003c\/p\u003e\n\u003ch3\u003eMedia\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Type\u003cbr\u003e\u003c\/strong\u003eCFexpress Type A \/ SD card (x2), Simult. Rec, Sort, Auto Switch Media, Copy\u003c\/p\u003e\n\u003ch3\u003eMonitoring\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLCD\u003cbr\u003e\u003c\/strong\u003e7.5 cm (3.0-type) type TFT, approx. 1.44M dots, Opening Angle: Approx. 176 deg., Rotation Angle: Approx. 270 deg.\u003c\/p\u003e\n\u003ch3\u003eOperation\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eOperating Temperature\u003cbr\u003e\u003c\/strong\u003e32 degF to 104 degF (0 degC to 40 degC)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage Temperature\u003cbr\u003e\u003c\/strong\u003e-4 degF to +140 degF (-20 degC to +60 degC)\u003c\/p\u003e\n\u003ch3\u003ePower\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption\u003cbr\u003e\u003c\/strong\u003e[Movie] Approx. 7.3 W (with FE 28-70 mm F3.5-5.6 OSS lens attached), [Still image] Approx. 3.4 W (with FE 28-70 mm F3.5-5.6 OSS lens attached)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBATTERY OPERATING TIME\u003cbr\u003e\u003c\/strong\u003eApprox. 95 min (Actual recording, CIPA standard)　, Approx. 135 min (Continuous recording, CIPA standard), Approx. 600 shots (LCD monitor) (still images, CIPA standard)\u003c\/p\u003e\n\u003ch3\u003eRAW Output\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eRAW Output\u003cbr\u003e\u003c\/strong\u003eHDMI: 4264 x 2408 (60p \/ 50p \/ 30p \/ 25p \/ 24p), 16 bit\u003c\/p\u003e\n\u003ch3\u003eRecording (Still image)\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eIMAGE SIZE\u003cbr\u003e\u003c\/strong\u003eImage size [3:2] 35 mm full frame L: 12M, M: 5.1M, S: 3.0M, APS-C L: 5.1M, M: 3.0M, S: 1.3M, Image size [4:3] 35 mm full frame L: 11M, M: 4.6M, S: 2.7M, APS-C L: 4.6M, M: 2.7M, S: 1.1M Image size, [16:9] 35 mm full frame L: 10M, M: 4.3M, S: 2.6M, APS-C L: 4.3M, M: 2.6M, S: 1.1M, Image size [1:1] 35 mm full frame L: 8M, M: 3.4M, S: 2.0M, APS-C L: 3.4M, M: 2.0M, S: 0.8M\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecording Format\u003cbr\u003e\u003c\/strong\u003eJPEG (DCF Ver. 2.0, Exif Ver. 2.32, MPF Baseline compliant), HEIF (MPEG-A MIAF compliant), RAW (Sony ARW 4.0 format compliant)\u003c\/p\u003e\n\u003ch3\u003eRecording Format (Audio)\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eRECORDING FORMAT (AUDIO)\u003cbr\u003e\u003c\/strong\u003eLPCM 2ch (48 kHz 16 bit), LPCM 2ch (48 kHz 24 bit), LPCM 4ch (48 kHz 24 bit), MPEG-4 AAC-LC 2ch\u003c\/p\u003e\n\u003ch3\u003eRecording Format (Video)\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC HS\u003cbr\u003e\u003c\/strong\u003e[XAVC HS 4K] 59.94p\/50p 200 Mbps\/150 Mbps\/100 Mbps\/75 Mbps\/45 Mbps, MPEG-H HEVC \/ H.265, 23.98p 100 Mbps\/100 Mbps\/50 Mbps\/50 Mbps\/30 Mbps, MPEG-H HEVC \/ H.265, 119.88p\/100p 280 Mbps\/200 Mbps, MPEG-H HEVC \/ H.265\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC S\u003cbr\u003e\u003c\/strong\u003e[XAVC S 4K] 59.94p\/50p 200 Mbps\/150 Mbps, MPEG-4 AVC \/ H.264, 29.97p\/25p 140 Mbps\/100 Mbps\/60 Mbps, MPEG-4 AVC \/ H.264, 23.98p 100 Mbps\/100 Mbps\/60 Mbps, MPEG-4 AVC \/ H.264, [XAVC S HD] 59.94p\/50p 50 Mbps\/50 Mbps\/25 Mbps, MPEG-4 AVC \/ H.264, 29.97p\/25p 50 Mbps\/50 Mbps\/16 Mbps, MPEG-4 AVC \/ H.264, 23.98p 50 Mbps\/50 Mbps, MPEG-4 AVC \/ H.264, 119.88p\/100p 100 Mbps\/60 Mbps, MPEG-4 AVC \/ H.264\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC S-I\u003cbr\u003e\u003c\/strong\u003e[XAVC S-I 4K] 59.94p\/50p 600 Mbps\/500 Mbps, MPEG-4 AVC \/ H.264, 29.97p\/25p 300 Mbps\/250 Mbps, MPEG-4 AVC \/ H.264, 23.98p 240 Mbps, MPEG-4 AVC \/ H.264, [XAVC S-I HD] 59.94p\/50p 222 Mbps\/185 Mbps, MPEG-4 AVC \/ H.264, 29.97p\/25p 111 Mbps\/93 Mbps, MPEG-4 AVC \/ H.264, 23.98p 100 Mbps\/100 Mbps\/60 Mbps, MPEG-4 AVC \/ H.264, 119.88p\/100p 280 Mbps\/200 Mbps, MPEG-4 AVC \/ H.264\u003c\/p\u003e\n\u003ch3\u003eRecording Frame Rate\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC HS\u003cbr\u003e\u003c\/strong\u003e[XAVC HS 4K] 3840 x 2160\/119.88p, 100p, 59.94P, 50P, 29.97P, 23.98P, 25P\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC S\u003cbr\u003e\u003c\/strong\u003e[XAVC S 4K] 3840 x 2160\/119.88p, 100p, 59.94P, 50P, 29.97P, 23.98P, 25P, [XAVC S-I HD] 1920 x 1080\/59.94P, 50P, 29.97P, 23.98P, 25P\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC S-I\u003cbr\u003e\u003c\/strong\u003e[XAVC S-I 4K] 3840 x 2160\/59.94P, 50P, 29.97P, 23.98P, 25P, [XAVC S-I HD] 1920 x 1080\/59.94P, 50P, 29.97P, 23.98P, 25P\u003c\/p\u003e\n\u003ch3\u003eRecording\/ Playback Time\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePROXY VIDEO\u003cbr\u003e\u003c\/strong\u003e1280 x 720 (Approx. 6 Mbps), 1920 x 1080 (Approx. 9 Mbps), 1920 x 1080 (Approx. 16 Mbps)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC HS\u003cbr\u003e\u003c\/strong\u003e[XAVC HS 4K] 59.94p\/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p\/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, 59.94p\/50p 100M When using CEA-G160T (160 GB) Approx. 170 minutes, When using CEA-G80T (80 GB) Approx. 80 minutes, 59.94p\/50p 75M When using CEA-G160T (160 GB) Approx. 220 minutes, When using CEA-G80T (80 GB) Approx. 100 minutes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC S\u003cbr\u003e\u003c\/strong\u003e[XAVC S 4K] 59.94p\/50p 200M When using CEA-G160T (160 GB) Approx. 85 minutes, When using CEA-G80T (80 GB) Approx. 40 minutes, 59.94p\/50p 150M When using CEA-G160T (160 GB) Approx. 110 minutes, When using CEA-G80T (80 GB) Approx. 55 minutes, [XAVC S HD] 59.94p\/50p 50M When using CEA-G160T (160 GB) Approx. 310 minutes, When using CEA-G80T (80 GB) Approx. 150 minutes, 59.94p\/50p 25M When using CEA-G160T (160 GB) Approx. 550 minutes, When using CEA-G80T (80 GB) Approx. 210 minutes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC S-I\u003cbr\u003e\u003c\/strong\u003e[XAVC S-I 4K] XAVC S-I 4K 59.94p\/50p When using CEA-G160T (160 GB) Approx. 25 minutes, When using CEA-G80T (80 GB) Approx. 10 minutes, [XAVC S-I HD] 59.94p\/50p When using CEA-G160T (160 GB) Approx. 75 minutes, When using CEA-G80T (80 GB) Approx. 35 minutes\u003c\/p\u003e\n\u003ch3\u003eSlow \u0026amp; Quick Motion\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC HS\u003cbr\u003e\u003c\/strong\u003eXAVC HS 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC S\u003cbr\u003e\u003c\/strong\u003eXAVC S 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eXAVC S-I\u003cbr\u003e\u003c\/strong\u003eXAVC S-I 4K: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, XAVC S-I HD: [NTSC mode] 1fps, 2fps, 4fps, 8fps, 15fps, 30fps, 60fps, 120fps, 240fps, [PAL mode] 1fps, 2fps, 3fps, 6fps, 12fps, 25fps, 50fps, 100fps, 200fps\u003c\/p\u003e\n\u003ch3\u003eStill image function\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCONTINUOUS SHOOTING SPEED\u003cbr\u003e\u003c\/strong\u003eHi+: 10fps, Hi: 8fps, Mid: 6fps, Lo: 3fps\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDRIVE MODES\u003cbr\u003e\u003c\/strong\u003eSingle Shooting, Continuous shooting (Hi+\/Hi\/Mid\/Lo selectable), Self-timer, Self-timer (Cont.), Bracket: Single, Bracket: Cont., White Balance bracket, DRO bracket\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFlash control\u003cbr\u003e\u003c\/strong\u003eSony α System Flash compatible with Multi Interface Shoe; attach the shoe adaptor for flash compatible with Auto-lock accessory shoe, Flash sync speed 1\/125 s.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise Reduction\u003cbr\u003e\u003c\/strong\u003eLong exposure NR: On\/Off, available at shutter speeds longer than 1 s, High ISO NR: Normal\/Low\/Off\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOTHER STILL IMAGE FUNCTION\u003cbr\u003e\u003c\/strong\u003eElectronic Front Shutter Curtain, Silent Shooting, Anti-flicker Shoot\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHUTTER\u003cbr\u003e\u003c\/strong\u003eMechanical shutter\/Electronic shutter\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eWi-Fi\/NFC\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eFREQUENCY BAND\u003cbr\u003e\u003c\/strong\u003e2.4 GHz band\/5 GHz band\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNFC\u003cbr\u003e\u003c\/strong\u003eNFC Forum Type 3 Tag-compliant\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSECURITY\u003cbr\u003e\u003c\/strong\u003eWEP\/WPA-PSK\/WPA2-PSK\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPORTED FORMAT\u003cbr\u003e\u003c\/strong\u003eIEEE 802.11a\/b\/g\/n\/ac\u003c\/p\u003e\n\u003ch3\u003eImage Stabilization\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCOMPENSATION EFFECT (STILL IMAGES)\u003cbr\u003e\u003c\/strong\u003e5.5 stops (based on CIPA standard. Pitch\/yaw shake only. With Planar T* FE 50 mm F1.4 ZA lens mounted. Long exposure NR off.)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMode\u003cbr\u003e\u003c\/strong\u003e[Movie] Active \/ Standard \/ Off, [Still image] On \/ Off\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eType\u003cbr\u003e\u003c\/strong\u003eImage Sensor-Shift mechanism with 5-axis compensation (compensation depends on lens specifications)\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eWhite Balance\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWHITE-BALANCE MODES\u003cbr\u003e\u003c\/strong\u003eAuto \/ Daylight \/ Shade \/ Cloudy \/ Incandescent \/ Fluorescent \/ Flash \/ Underwater \/ Color Temperature (2500 to 9900K) \u0026amp; color filter \/ Custom\u003c\/p\u003e\n\u003ch3\u003eZoom\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eZOOM FUNCTION\u003cbr\u003e\u003c\/strong\u003eZoom ring rotate, Clear Image Zoom ([Movie] Approx. 1.5x (4K), Approx. 2x (HD) [Still image] Approx. 2x ), Digital zoom ([Movie] 35 mm full frame: approx. 4x, APS-C: approx. 4x, [Still image] 35 mm full frame: L: approx. 4x, M: approx. 6.1x, S: approx. 8x, APS-C: L: approx. 4x, M: approx. 5.2x, S: approx. 8x), Smart zoom ([Still image] 35 mm full frame: M: approx. 1.5x, S: approx. 2x, APS-C: M: approx. 1.3x, S: approx. 2x)\u003c\/p\u003e\n\u003ch3\u003eInterface\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eAUDIO INPUT\u003cbr\u003e\u003c\/strong\u003e0.14 \" Stereo minijack, XLR handle: [INPUT1][INPUT2] XLR\/TRS-type 3-pin (female) (x2), line\/mic\/mic +48 V selectable, Mic Reference -40 to -60 dBu \/ [INPUT3] 0.14 \" Stereo minijack)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBluetooth\u003cbr\u003e\u003c\/strong\u003eBluetooth Standard Ver. 5.0 (2.4 GHz band)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHDMI OUTPUT\u003cbr\u003e\u003c\/strong\u003eHDMI jack (Type-A), YCbCr 4:2:2 10 bit \/ RGB 8 bit\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHEADPHONE OUTPUT\u003cbr\u003e\u003c\/strong\u003eYes (3.5 mm Stereo minijack)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMulti Interface Shoe\u003cbr\u003e\u003c\/strong\u003eWith Digital Audio Interface\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPEAKER OUTPUT\u003cbr\u003e\u003c\/strong\u003eBuilt-in, monaural\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUSB\u003cbr\u003e\u003c\/strong\u003eUSB Type-C (x1, SuperSpeed USB 5 Gbps [USB 3.2] compatible), Multi\/Micro USB (x1)\u003c\/p\u003e\n\u003ch3\u003ePlayback\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePLAYBACK FUNCTIONS\u003cbr\u003e\u003c\/strong\u003eIndex view, Folder selection (Date \/ Still \/ Movie), Photo capture, 4Ch audio monitoring, Auto Review (stills), Image orientation (stills), Protect (stills), Rating (stills), Display as Group (stills)\u003c\/p\u003e\n\u003ch3\u003eSize \u0026amp; Weight\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS (W X H X D) (BODY WITHOUT PROTRUSIONS) (approx.)\u003cbr\u003e\u003c\/strong\u003eApprox. 5.11 x 3.06 x 3.33 inches (Approx. 129.7 x 77.8 x 84.5 mm) (body without protrusions)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDIMENSIONS (W X H X D) (INCLUDING SUPPLIED ACCESSORIES) (approx.)\u003cbr\u003e\u003c\/strong\u003e2lb 3.8 oz (1.015 kg) (with XLR Handle, battery pack, SD card)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWEIGHT (MAIN UNIT ONLY) (approx.)\u003cbr\u003e\u003c\/strong\u003eApprox. 1 lb 9.3 oz (715 g) (with battery and memory card included), Approx. 1 lb 6.6 oz (640 g) (body only)\u003c\/p\u003e\n\u003ch3\u003eSupplied Accessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPLIED ACCESSORIES\u003cbr\u003e\u003c\/strong\u003eRechargeable Battery NP-FZ100 Battery Charger BC-QZ1 Power cord XLR handle unit Accessory shoe kit Body cap Accessory shoe cap Handle shoe cap USB-A to USB-C cable (USB 3.2)\u003c\/p\u003e\n\u003ch3\u003eGeneral\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCAMERA TYPE\u003cbr\u003e\u003c\/strong\u003eInterchangeable lens digital camera\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens mount\u003cbr\u003e\u003c\/strong\u003eE-mount\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":41780896694455,"sku":"SNILMEFX3","price":3898.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0504\/3555\/5511\/files\/902949_1.jpg?v=1753067237","url":"https:\/\/logiltech.net\/products\/sony-alpha-fx3-cinema-line-4k-full-frame-camera-ilme-fx3","provider":"Beach Camera","version":"1.0","type":"link"}